Poetics of Imagination

MA | PGDip | PGCert
Apply now


  • A course focused on literary study, with an emphasis on oral literary traditions and narrative field trips
  • You’ll have opportunities to engage in creative practice (creative writing or another creative practice) alongside and in dialogue with your literary studies
  • Students have access to bookable studios and workshops at Dartington


MA: 1 year FT, 2 years PT.
Other routes are available – see ‘Learning Pathways’


start date: september

Term dates - 2021-22

2021-22 Academic Year

Autumn Term: Monday 13 September – Friday 17 December 2021
Winter Term: Monday 10 January – Friday 1 April 2022
Spring Term: Monday 25 April – Friday 1 July 2022
Dissertation Deadline: mid-August 2022

On-site Teaching Dates

13–17 September 2021: Welcome Week
20 September–1 October 2021: Module 1
8–19 November 2021: Module 2
7–18 February 2022: Module 3
21 March –1 April 2022: Module 4

Term dates - 2022-23

2021-22 Academic Year

Autumn Term:  Monday 12 September – Friday 16 December 2022
Winter Term: Monday 9 January – Friday 31 March 2023
Spring Term: Monday 24 April – Friday 30 June 2023
Dissertation Deadline: mid-August 2023

On-site Teaching Dates

12–16 September 2022: Welcome Week
19-30 September 2022: Module 1
7–18 November 2022: Module 2
6–17 February 2023: Module 3
20-31 March 2023: Module 4

next application deadline

All upcoming application and decision deadlines can be found here.

Learning pathways

Our degree programmes are designed to suit the complexities of modern life, allowing you to live where you live and work where you work, whilst studying the subject you are passionate about as a member of our wide-reaching learning community.

Some qualifications are offered part-time – these are indicated below. Please note that we do not offer online-only pathways for this course.

MAster's (ft/pt; 180 credits)

A full-time (1 year) or part-time programme (2 years, UK students only) with 4 x 30 credit modules and 1 x 60 credit dissertation or major project module. The taught (30 credit) modules are six weeks’ long. Teaching at Dartington is concentrated into two-week periods for each of the first four modules, with supported e-learning and independent learning inbetween.

PLEASE NOTE: We are not accepting new part-time applications for a September 2021 start as we have a large number of part-time students already pursuing the course. We expect to reopen part-time applications for September 2022.

Postgraduate Diploma (ft/pt; 120 credits)

A full-time (1 year) or part-time programme (2 years, UK students only) with 4 x 30 credit modules. Students taking the full-time option will study all four modules during the first two terms.  For full details on part-time pathways, please contact us.

Postgraduate Certificate (60 credits)

A full-time programme with 2 x 30 credit modules. Students will study both modules during term one.

First module only (30 credits)

Modules One can be studied on a standalone basis, with 30 credits allocated.

Participants will submit a 3,000-word essay, a creative work portfolio and a one-page critical reflection on their creative work. A pass mark gains 30 Level 7 credits, which can be used if applying at a later date to complete a Poetics of Imagination postgraduate award (PGCert – a further 30 credits; PGDip – a further 90 credits; MA – a further 120 credits).

To apply for the accredited single module option, apply in the usual way, selecting the ‘Module One’ option during the application process.

course content

The Poetics of Imagination course explores orality, story and culture, examining how we have conjured stories from the earliest times to the present day.

The course is centred around oral telling but opens to a broader spectrum of the arts, examining the work of ancient to contemporary storytellers, writers and artists.

From physically tracking folktales across the wilds of Dartmoor to three day tellings of myths that form much of the crucible of modernity, we will explore the reality that when humans imagine, they tend to imagine in story. What is trying to be told right now?

programme structure & modules

This MA programme consist of 5 modules (4 taught and 1 dissertation module). The first 2 weeks of each taught module are timetabled teaching periods, where you can live on site (or nearby) and participate in the learning community. So there are 4 two-week periods, spread across 7 months.

The remaining 4 months are the dissertation or major project period. You may choose to return home for the duration of this final module, and will no longer be sponsored by us for your Tier 4 visa.

Outside of the two-week periods, international students (only) may request accommodation and full board onsite at Dartington for terms 1 and 2: this would require you to participate in the learning community activities. Alternatively you can opt to live nearby or anywhere in the UK and travel to and from Dartington when required.

We have a limited number of residential places available for international students. Apply as early as possible and select the accommodation option on the application form.

Module One: Oral Thought (30 credits)

This module explores Western and non-Western creation myths. Storytellers have suggested that words were once like magic. We began in an animistic universe where thought took place in speech rather than on paper. Focusing on stories of creation, place, and nomadism, attention is paid to the roles of mischief and desire in the making of culture and understanding of region. Students explore how place is formed.

We are looking at ‘enrichment’ opportunities for students for later in the academic year so that you don’t miss out due to online delivery (for examples, extended studio/library time/additional fieldtrips).

Module Two: Negotiating Fables (30 credits)

This module considers the arrival of literacy and tracks a divide between the ambitions of state and shaman. It explores how cultures reveal their attitudes to the unknown, the exiled, and the Otherly through the stories they tell. It contemplates the monsters invented by particular cultures, and what happens when the gods start to carry appearances rather like our own.

Module Three: Glorious Distortions (30 credits)

This module considers the historical move to an internalised position. In a hunter-gatherer culture we dwelt within psyche, but by the 12th century, psyche frequently dwelt within us. We trace this move and consider the influence of Islamic thought on the Arthurian Grail romances, and cultural cross-pollination in the courtly schools of Eleanor of Aquitaine. We consider how these influences have shaped us today.

Module Four: Contemporary Romanticism (30 credits)

Romanticism is underpinned by a love of myth, nature, and individuation. Harold Bloom has insisted that the historical Romantic movement was an internalising of the quest motifs of ancient mythologies. This module poses the questions: is there a place for romanticism in contemporary culture, and if so, what does it look like. It asks if it is still credible to fetishise the lone hero or if it is time for something else.

Module Five: Dissertation/Major Project (60 credits)

This module enables students to pursue a creative practice-led research project, or an academic essay interrogating the further evolution of poetics of imagination theory and practice, or a combination of both (50/50). The outcome might be presented in the public domain in an end of year event (reading, performance etc.) or a publication.

entry requirements

Qualification(s) required for entry to the MA

BA (Honours) Degree: A first degree in a humanities subject. Where the first degree is not humanities-related, a portfolio of work in support of the application or experience that is equivalent.

Other non-standard awards or experience: A willingness to engage with the field of Poetics of Imagination. Candidates will be considered with prior credited learning and prior experiences subject to interview. *

Interview requirements: All applicants are required to attend an interview, either at the School or online.

*For further information please contact our admissions team at admissions@dartington.org.


For full details on our fees, plus information about scholarships, student loans and bursaries, click here.


martin shaw

Martin Shaw


Martin is currently Reader in Poetics of Imagination at Dartington Art School and Programme Lead for the MA of the same name. His work circles mythology and landscape, oral storytelling and poetics.

Read More

Alice Oswald

Alice Oswald


Alice Oswald studied Classics at Oxford and then trained as a gardener.  She has written six collections of poetry.

Read More

Emma Bush

Emma Bush


Emma Bush is senior lecturer, Poetics of Imagination and Associate Lecture for Reimagining Performance Practice. She works in the field of art and ecology, making performance, site-specific walks, writing and workshops.

Read More

Bram Thomas Arnold

Bram Thomas Arnold


Dr Bram Thomas Arnold is an artist who started with walking and kept going into performance, drawing, installation, writing and academia. He is Associate Lecturer for our Poetics of Imagination programme.

Read More

plus: meet our guest lecturers

Poetics of Imagination guest lecturers and tutors have included:

Dr Andy Letcher
Programme Lead, Engaged Ecology, Schumacher College
More about Andy >

Barton Hargreaves
artist and printmaker
More about Barton >

Ben Haggarty
performance storyteller

Dr Carla Stang
anthropologist, author of A Walk to the River in Amazonia (2009)
Watch: Chasing Consciousness podcast >

Professor Catherine Leglu
University of Luxembourg, medievalist specialising in medieval and Occitan literature. Her books include The Cathars and the Albigensian Crusade, The World of Eleanor of Aquitaine, The Erotics of Consolation
More about Catherine >

Cherry Potts
Editor, Arachne Press
More about Cherry >

David Stevenson
MA Myth and Ecology graduate

Professor Gregory Leadbetter
Birmingham City University, poet and critic specialising in the Romantic poetry and thought, author of Coleridge and the Daemonic Imagination (Palgrave Macmillan, 2011)
More about Gregory >

John Hall
poet, author of As a Said Place
More about John >

J.R. Carpenter
artist, writer, researcher, performer and maker of maps, zines, books, poems, fiction, non-fiction, non-linear hypermedia narratives, and computer-generated texts
More about J.R. >

Jules Cashford
Writer on mythology, author of The Moon: Symbol of Transformation (2016), Gaia: Story of Origin to Universe Story (The Gaia Foundation, 2012), The Mysteries of Osiris (2010),
More about Jules >

Katherine Robinson
Researching the influence of early Celtic literature and mythology on the poetry of Ted Hughes and Sylvia Plath.
More about Katherine > 

Lucinda Guy
Soundart Radio
soundartradio.org.uk >

Maria Moorhouse
Stonecarver and artist
sculptworks.co.uk >

Menna Elfyn
Welsh poet, playwright, columnist
More about Menna > 

Neil Astley
Poet and Editor of Bloodaxe Books
bloodaxebooks.com >

Oona Wagstaff
Artist, Musician, Tutor and Occupational Therapist
More about Oona >

Richard Lewis
Botanist, gardener, basketmaker
themothertree.uk >

Dr Stephan Harding
Deep Ecology Research Fellow at Schumacher College, author of Animate Earth; Grow Small, Think Beautiful; and Poems of Lorca, translated with Martin Shaw.
More about Stephan >

Tony Whitehead
Naturalist, birder and artist.
More about Tony >

Dr Tracey Warr
Fiction and non-fiction writer and Head of Dartington Arts School. Books include The Artist’s Body (Phaidon, 2000), Remote Performances in Nature and Architecture (Routledge, 2015) and The Midden (Garret, 2018).
traceywarrwriting.com >

Dr Troy Vine
Programme Lead, MSc Holistic Science, Schumacher College
Particle physicist, history and philosophy of science researcher. Books include Experience Colour, What is Colour?, Goethe, Ritter und die Polariat.
More about Troy >


Information to follow soon.

live chats & open days

No event found!

latest news & blogs